Skip to main content

Pages of us

It was a usual introduction to the day - that no one really reads, like a preface of a book with no illustrations. So I skipped to my favourite chapter where the sky is painted beautifully in a majestic blend of orange and blue, the huge ball of fire sinking into the horizon and two strokes of black paint forming what they call birds.

After all, I like my story to be full of beautiful pictures. 




But the scene had something unusual today - it was silent, not empty, not calm but silent, that unsettling silence that hints at the upcoming storm.

Little did I know that turning the page would bring a storm of questions—ones I had never dared to ask before. Why is there so much silence even with so many stories existing out there ? These stories have the power to change the world but what’s going on? Are all of them too busy decorating themselves, that they forgot that it’s the content that matters, not the cover? With so many stories existing out there, how is each story revolving solely around itself? If there are stories just perfect for the others, why do they have to be disgraced and misunderstood by the wrong ones? Why do the right readers always arrive late? Why are some stories having chapters that others can only dream of? Why are some stories about love, care and support while others are left lonely and forgotten?




Overwhelmed, I wanted to skip this part too but I guess that’s not always an option, sometimes we have to read some chapters to understand and value the upcoming ones. Also from the previously read lessons I know that unanswered questions hurt the most. 


Reading ahead in the search for answers I encountered a new character, crafted beautifully by the author so beautifully that I forgot I was looking for some answers in this chapter and by beautiful I didn’t mean the cover but the content. I loved how he was decorating others' lives and  not just his. The only thought at the moment was that I want to read him, understand him. I wanted our stories to be bound in one single book forever for every edition that followed. I wanted him to be the theme of my story. Maybe our stories are not just revolving around us, maybe there are people who we want to include in our stories not for moments but for the whole story. Maybe there are stories that don’t need an attractive cover, their content is beautiful enough.


Curious to know more, I kept reading. He was a story easy to read but one that needed time to be understood. Like me, he had some questions too, but unlike me, he was not desperate for the answers, he never tried to skip chapters, he let his story unfold at its own pace. For his story he was the main character, enjoying the journey instead of rushing to know himself completely. To him he was still a question half answered but for me he was the answer of all the questions I ever had.


Maybe some stories are meant just for us, but they unfold at their own perfect time—so magically that it feels unreal to even exist. Maybe some chapters in our story aren’t just chapters; they are lessons we need to learn. Maybe sometimes we need to read others to know who we are. Maybe if we find the right ones in the beginning, some questions will never be asked. Maybe if we know the story beforehand, the curiosity to read further will fade. Maybe if every story had everything the reader wanted, it wouldn’t be unique. And maybe, some stories aren’t meant to have a happy ending—but a truly beautiful journey. In the narrative of life, many stories and characters enter our lives—some just passing through, some becoming chapters, and a rare few becoming the very essence of who we are.


Comments

Popular posts from this blog

The Fear of the Blank Page

The page stares back at me, white and wide. Unforgiving. It looks like peace until you try to write on it - then the silence is too loud to bear. I hover my pen above it, waiting for the first word to flow out like a miracle, something tries to stop me. The page says, “Go on.” I say, “I can’t.” Who’s holding this weight on me? It’s only paper - but it feels heavier than I do .    As I close my notebook a soft voice begins to speak, “ You’re afraid of me, aren’t you? ” I get up and try to walk away, the voice follows. “You come to me when you need to fill me with your impossible dreams, you hide from me when you need the truth.” I open the notebook again, the page waits patiently this time. “I’m trying”, I say. It replies “Then stop trying, start listening.” So I listen. As the pen hovers again, I hear the sound of an untold story trying to stretch its way out. The one that hides between thoughts I never finish saying. The dreams I left half-drawn, quiet truths I never dared t...

approximation errors of life

  I just woke up from a fever dream and it dawned on me that the dream lasted too long and hasn’t been that long since I arrived. Does time move differently in dreams, with different experiences, does it relapse, can it not be stuck in a loop of my favorite childhood memory? I wake up with these questions, and I don’t quite know when is the right time to ask questions and when is the right time to answer them. The timing is important you see, when you choose to change the curve and when you accept the flow, it makes all the difference. Also, pardon my casual language, I just woke up from a fever dream. I think about existentialism and how the originality of human experiences causes self-alienation and how lonely the suffering can be ( yet I never wished any suffering on you ). I’m not a philosopher, educator, or a liberal arts student wandering and wondering about the technicalities of life ( i don’t know who the addressee is ), however, I still believe the originality of human e...

What Never Poured

 Sometimes I think about those clouds: how they drift, soft and deceptive, pretending to be cotton balls while carrying entire oceans inside them. They look serene from below, even gentle, though their silence is nothing but a storm waiting to come out.  Perhaps that’s what makes it so tragic? Their quiet obedience to a sky that only loves them when they’re harmless. They swallow what the world won’t see, rehearsing to look gentle and to stay soft, masking ache as grace, until they find a sky willing to let them break. They are the lucky ones as their sky listens. So, when they collapse, it isn’t destruction, it’s devotion. The rain falls as a confession, honest and unashamed, and the sky? Well, it receives it without flinching. For a while, there’s no sorrow, no anger in the undoing, only relief. The clouds pour until they are empty, and the world below calls it beautiful, not realising the years of pain it holds.       But what about the ones that ne...

GUIDE 101: HOW TO NOT END UP ON THE TAPES.

The HANNAH BAKER way.  Inspired from the book- Thirteen Reasons Why. 
 Has there ever been a person you liked so much but the only thing you could ever do for the sake of Lord is talk to them. Even if it was a simple light-hearted conversation, the best you could do was to drop in a little ‘hello, how are you’.   Why?  Because liking someone means liking their particular trait which  you wish you possessed before. It could be anything - personality, looks, smartness anything that makes them unique in your eyes. And starting a conversation with this cool version of your built-up perspective requires real courage.  We all are always waiting. Waiting for someone to know us, understand us and believe us like no one ever could before. Unfortunately, this turns out to be one difficult task especially in a world where trust comes at a high cost.  Those who do find this ‘trust’ in this world are rare and have fortunately hit the jackpot of fate.
And before you know...

GHOST VALEDICTORIAN

I think about ghosts a lot. Not the conjuring, biblical Hollywood crap, the quiet ones lingering in my room. Sitting at my bedside, hoping I'd take my antidepressants today and staring at myself in the mirror while I apply concealer to the eyes that haven't known peace in twelve years. Quietly watching my new clothes with tags still on, bought in the desperate hope of finally stepping out of my bed and staring at the toothbrush I haven't picked up for two days in a row. Living beneath the scars on my arms, on the days they ooze with blood, on the days they seem like distant memories. I often romanticise the morning after I kill myself, hoping, praying to wake up as one of them. To finally exist freely. To fulfil my lifelong dream of being invisible. I will probably die with an open tab of JavaScript tutorials and unsolved LeetCode problems. That's a miserable way to die. Underachiever. Failure. Just not good enough. I wish I could go back in time and be her again, th...

EYES TELL

Yes, they do.  I know because I look into yours too. When they melt into a smile pure, Creasing to depths of eternal bliss,  A breathtaking-view for a gaze, yet amiss. A smile so contagious , it fills me up. Fills my bubble of dreams and love. Trapping me in a light-show, bedazzled for sure. With light, one would search for eons to glow. A crisp of crust on the pizza side. Flashing lights on a dreary night. I reached out.  And every single time. Your eyes came to mind. Or when left estranged for too long. I saw and knew it all along. Every time you passed me by. I peer into your sombre eyes. Calling me out without a cry. An illusion of bars, stands in front of me. Like mirrors, shattering my soul in fleet. And when I see my face through you,   I promise I could feel it too. The pain, the laugh.  The sorrow, the gloom. The joy, the dark,   I’ll share it with you.

CLOTH AS POWER: THE EVOLUTION OF INDIAN FASHION

 The story of Indian fashion traverses millennia, one marked by the interplay of power, identity, and resistance. At the heart of this story, the medium of cloth has woven itself into the tapestry of Indian civilization to serve not only as a form of adornment but also as a tool of political maneuvering and cultural assertion. Prestige was already attached to cloth in the Indus Valley Civilization around 2500 BCE. Archaeological finds of fine cotton fabrics reveal that weaving was not just a craft but a social status; mastery over thread symbolized mastery over community and trade. As empires flourished, textiles became an emblem of political might. This integration of fabric and power found its zenith during the Mughal Empire, wherein textiles were, in fact, the very language of majesty. Silks embroidered with gold and silver thread, intricate brocades, and luminous muslins were crafted not merely to please the eye but to claim sovereignty. A robe from Akbar's court could speak to...